THE theory now put forward is based upon the assumption that Francis Bacon at a very early age adopted the conception that he would devote his life to the construction of an adequate language and literature for his country and that he would do this remaining invisible. If he was the author of "The Anatomie of the Mind," 1576, and of "Beautiful Blossoms," 1577, he must have adopted this plan of obscurity as early as his sixteenth year. It is possible, however, that it may be shown that at a date still earlier he had decided upon this course. This, however, is beyond doubt--that if Francis Bacon was associated in any way with the literature of England from 1570 to 1605, with the exception of the small volume of essays published in 1597, he most carefully concealed his connection with it.

"Therefore, set it down," he says in the essay Of Simulation and Dissimulation, "that a habit of secrecy is both politic and moral," and in Examples of the Antitheta,* "Dissimulation is a compendious wisdome." Here again is the same idea: "Beside in all wise humane Government, they that sit at the helme, doe more happily bring their purposes about, and insinuate more easily things fit for the people by pretexts, and oblique courses; than by . . . downright dealing. Nay (which perchance may seem very strange) in things meerely naturall, you may sooner deceive nature than force her; so improper and selfeimpeaching are open direct proceedings; whereas on the other side, an oblique and an insinuating way, gently glides along, and compasseth the intended effect."**

* "Of the Advancement of Learning," 1640, page 312.
** "Of the Advancement of Learning," 1640, pages 115, 116.

It is noteworthy that Bacon had a quaint conceit of the Divine Being which he was never tired of repeating. In the preface to the "Advancement of Learning" (1640), the following passage occurs:--

"For of the knowledge which contemplates the works of Nature, the holy Philosopher hath said expressly; that the glory of God is to conceal a thing, but the glory of the King is to find it out: as if the Divine Nature, according to the innocent and sweet play of children, which hide themselves to the end they may be found; took delight to hide his works, to the end they might be found out; and of his indulgence and goodness to mankind, had chosen the Soule of man to be his Play-fellow in this game."

Again on page 45 of the work itself he says:--

"For so he (King Solomon) saith expressly, The Glory of God is to conceale a thing, but the Glory of a King is to find it out. As if according to that innocent and affectionate play of children, the Divine Majesty took delight to hide his works, to the end to have them found out, and as if Kings could not obtain a greater Honour, then to be God's play-fellowes in that game, especially considering the great command they have of wits and means, whereby the investigation of all things may be perfected."

Another phase of the same idea is to be found on page 136.

In the author's preface to the "Novum Organum" the following passage occurs:--

"Whereas of the sciences which regard nature the Holy Philosopher declares that 'it is the glory of God to conceal a thing, but it is the glory of the King to find it out.' Even as though the Divine Nature took pleasure in the innocent and kindly sport of children playing at hide and seek, and vouchedsafe of his kindness and goodness to admit the human spirit for his play fellow in that game."

In almost identical words Bacon suggests the same conception in "In Valerius Terminus" and in "Filum Labyrinthi."

In the Epistle Dedicatorie of "The French Academie" and elsewhere the author is insisting on the same idea that "He (God) cannot be seene of any mortal creature but is notwithstanding known by his works."

The close connection of Francis Bacon with the works (now seldom studied) of the Emblem writers is vouched for by J. Baudoin.

Oliver Lector in "Letters from the Dead to the Dead" has given examples of his association with the Dutch and French emblem writers. Three Englishmen appear to have indulged in this fascinating pursuit--George Whitney (1589), Henry Peacham (1612), and George Withers (1634). From the Baconian point of view Peacham's "Minerva Britannia" is by far the most interesting. The Emblem on page 34 is addressed "To the most judicious and learned, SIR FRANCIS BACON KNIGHT." On the opposite leaf, paged thus, o33,* the design represents a hand holding a spear as in the act of shaking it. But it is the frontispiece which bears especially on the present contention. The design is now reproduced (Fig. IV). A curtain is drawn to hide a figure, the hand only of which is protruding. It has just written the words "MENTE VIDEBOR"--"By the mind I shall be seen." Around the scroll are the words "Vivitur ingenio cetera mortis erunt"--one lives in one's genius, other things shall be (or pass away) in death.

* 33 is the numerical value of the name "Bacon." The stop preceding it denotes cypher.

That emblem represents the secret of Francis Bacon's life. At a very early age, probably before he was twelve, he had conceived the idea that he would imitate God, that he would hide his works in order that they might be found out--that he would be seen only by his mind and that his image should be concealed. There was no haphazard work about it. It was not simply that having written poems or plays, and desiring not to be known as the author on publishing them, he put someone else's name on the title-page. There was first the conception of the idea, and then the carefully-elaborated scheme for carrying it out.

There are numerous allusions in Elizabethan and early Jacobean literature to someone who was active in literary matters but preferred to remain unrecognised. Amongst these there are some which directly refer to Francis Bacon, others which occur in books or under circumstances which suggest association with him. It is not contended that they amount to direct testimony, but the cumulative force of this evidence must not be ignored. In some of the emblem books of the period these allusions are frequent.

Then there is John Owen's epigram appearing in his "Epigrammatum," published in 1612.

AD. D.B.

D. is elsewhere used by Owen as the initial of Dominus. The suggestion that Ad. D.B. represents Ad Dominum Baconum is therefore reasonable.

Thomas Powell published in 1630 the "Attourney's Academy." The book is dedicated "To True Nobility and Tryde learning beholden To no Mountaine for Eminence, nor supportment for Height, Francis, Lord Verulam and Viscount St. Albanes." Then follow these lines:--

In the "Mirrour of State and Eloquence," published in 1656, the frontispiece is a very bad copy of Marshall's portrait of Bacon prefixed to the 1640 Gilbert Wat's "Advancement of Learning." Under it are these lines:--

The frontispiece previously referred to of "Truth brought to Light and discovered by Time, or a discourse and Historicall narration of the first XIIII. yeares of King James Reign," published in 1651, is full of cryptic meaning and in one section of it there is a representation of a coffin out of which is growing

The fruits are books and manuscripts. The volume contains speeches of Bacon and copies of official documents signed by him.

The books of the emblem writers are still more remarkable. "Jacobi Bornitii Emblemata Ethico Politica," 1659, contains at least a dozen plates in which Bacon is represented. A suggestive emblem is No. 1 of Cornelii Giselberti Plempii Amsterodarnum Monogrammon, bearing date 1616, the year of Shakespeare's death. It is now reproduced (Fig. V.). It will be observed that the initial letters of each word in the sentence--Obscœnumque nimis crepuit Fortuna Batavis appellanda--yield F. Bacon. There are in other designs figures which are evidently intended to represent Bacon. Emblem XXXVI. shows the inside of a printer's shop and two men at work in the foreground blacking and fixing the type. Behind is a workman setting type, and standing beside him, apparently directing, or at any rate observing him, is a man with the well-known Bacon hat on.

The contention may be stated thus:--Francis Bacon possessed, to quote Macaulay, "the most exquisitely constructed intellect that has ever been bestowed on any of the children of men." Hallam described him at "the wisest, greatest of mankind," and affirmed that he might be compared to Aristotle, Thucydides, Tacitus, Philippe de Comines, Machiavelli, Davila, Hume, "all of these together," and confirming this view Addison said that "he possessed at once all those extraordinary talents which were divided amongst the greatest authors of antiquity." At twelve years of age in industry he surpassed the capacity, and, in his mind, the range of his contemporaries, and had acquired a thorough command of the classical and modern languages. "He, after he had survaied all the Records of Antiquity, after the volumes of men, betook himself to the volume of the world and conquered whatever books possest." Having, whilst still a youth, taken all knowledge to be his province, he had read, marked, and absorbed the contents of nearly every book that had been printed. How that boy read! Points of importance he underlined and noted in the margin. Every subject he mastered--mathematics, geometry, music, poetry, painting, astronomy, astrology, classical drama and poetry, philosophy, history, theology, architecture.

Then--or perhaps before--came this marvellous conception, "Like God I will be seen by my works, although my image shall never be visible--Mente videbor. By the mind I shall be seen." So equipped, and with such a scheme, he commenced and successfully carried through that colossal enterprise in which he sought the good of all men, though in a despised weed. "This," he said, "whether it be curiosity or vainglory, or (if one takes it favourably) philanthropia, is so fixed in my mind as it cannot be removed."

Translations of the classics, of histories, and other works were made. In those he no doubt had assistance by the commandment of more wits than his own, which is a thing he greatly affected. Books came from his pen--poetry and prose--at a rate which, when the truth is revealed, will literally "stagger humanity." Books were written by others under his direction. He saw them through the press, and he did more. He had his own wood blocks of devices, some, at any rate, of which were his own design, and every book produced under his direction, whether written by him or not, was marked by the use of one or more of these wood blocks. The favourite device was the light A and the dark A. Probably the first book published in England which was marked with this device was De Rep. Anglorum Instauranda libri decem, Authore Thoma Chalonero Equite, Anglo. This was printed by Thomas Vautrollerius,* and bears date 1579.

* Vautrollier was a scholar and printer who came to England from Paris or Roan about the beginning of Elizabeth's reign, and first commenced business in Blackfriars. In 1584 he printed Jordanus Brunus, for which he was compelled to fly. In the next year he was in Edinburgh, where, by his help, Scottish printing was greatly improved. Eventually his pardon was procured by powerful friends, amongst whom was Thomas Randolph. In 1588 Richard Field, who was apprenticed to Vautrollier, married Jakin, his daughter, and on his death in 1589 succeeded to the business.

Vautrollier, and afterwards Richard Field, printed many of the books in the issue of which Bacon was concerned from 1579 onwards. Henry Bynneman, and afterwards his assignees Ralph Newbery and Henry Denham and George Bishop, who was associated with Denham, were also printing books issued under his auspices, and later Adam Islip, George Eld and James Haviland came in for a liberal share of his patronage.

The cost of printing and publishing must have been very great. If the facts ever come to light it will probably be found that Burghley was Bacon's mainstay for financial support. It will also be found that Lady Anne Bacon and Anthony Bacon were liberal contributors to the funds, and that the cause of Francis Bacon's monetary difficulties and consequent debts was the heavy obligation which he personally undertook in connection with the production of the Elizabethan literature.

In the Dedications, Prefaces, and Epistles "To the Reader" also Francis Bacon's mind may be recognised. When Addison wrote of Bacon, "One does not know which to admire most in his writings, the strength of reason, force of style, or brightness of imagination," his words might have been inspired by these prefixes to the literature of this period. When once the student has made himself thoroughly acquainted with Bacon's style of writing prefaces he can never fail to recognise it, especially if he reads the passages aloud. The Epistle Dedicatorie to the 1625 edition of Barclay's "Argenis," signed Kingesmill Long, is one of the finest examples of Baconian English extant. Who but the writer of the Shakespeare plays could have written that specimen of musical language? To hear it read aloud gives all the enjoyment of listening to a fine composition of music. It is the same with the Shakespeare plays; only when they are read aloud can the richness and charm of the language they contain be appreciated.

Bacon's work can never be understood by anyone who has not realised the marvellous character of the mind of the boy, his phenomenal industry, and the fact that "he could imagine like a poet and execute like a clerk of the works." It has been suggested that he had a secret Society, by the agency of which he carried through his works, but it is difficult to find any evidence that such a Society existed. It may be that he had helpers without there having been anything of the nature of a Society.

From 1575 to 1605 (thirty years) with the exception of the trifles published as Essays in 1597, there are no acknowledged fruits of his work to which his name is attached. Even the two books of the "Advancement of Learning," published in 1605, would have made little demands on his time. Edmund Burke said: "Who is there that hearing the name of Bacon does not instantly recognise everything of genius the most profound, of literature the most extensive, of discovery the most penetrating, of observation of human life the most distinguished and refined." For such a man to write "The two books" would be no hard or lengthy task.

The wonder is that Francis Bacon should have attached his name to the 1597 edition of the essays. He had written and published under other names tomes of essays of at least equal merit. In Aphorism 128 of the "Novum Organum" Bacon says, "But how sincere I am in my profession of affection and goodwill towards the received sciences my published writings, especially the books on the Advancement of Learning, sufficiently shew." What are the published writings referred to? The only works which bore his name were the incomplete volume of the Essays and the "Wisdom of the Ancients," to neither of which the words quoted are applicable.

Anthony Bacon, writing to Lady Anne in April, 1593, referring to her "motherly offer" to help Francis out of debt by being content to bestow the whole interest in an estate in Essex, called Markes, said "beseeching you to believe that being so near and dear unto me as he is, it cannot but be a grief unto me to see a mind that hath given so sufficient proof of itself in having brought forth many good thoughts for the general to be overburdened and cumbered with a care of clearing his particular estate."

In 1593 nothing had been published under Bacon's name, and there is not any production of his known which would justify Anthony's remark. What was his motive in selecting this insignificant little volume of essays whereby to proclaim himself a writer? One can understand his object in addressing James in The Two Books of the Advancement of Learning. He obtained in 1606, as Peacham has it, "preferment by his Patrone's letter" by being appointed Solicitor-General.

During all this period--1575 to 1605--"the most exquisitely constructed mind that has ever been bestowed on any of the children of men" appears to have been dormant. Take the first three volumes of Spedding's "Life and Letters," and carefully note all that is recorded as the product of that mind during the years when it must have been at the zenith of its power and activity. All the letters and tracts accredited to Bacon in them which have come down to us would not account for six months--not for three months--of its occupation.

The explanation that he was building up his great system of inductive philosophy is quite inadequate. Rawley speaks of the "Novum Organum" as having been in hand for twelve years. This would give 1608 as the year when it was commenced. The "Cogitata et

Visa," of which it was an amplification, was probably written in 1606 or 1607, for on the 17th February, 1607-8, Bodley writes acknowledging the receipt of it and commenting on it.

Rawley says that it was during the last five years of Bacon's life that he composed the greatest part of his books and writings both in English and Latin, and supplies a list which comprises all his acknowledged published works except the "Novum Organum" and the Essays.

In "The Statesmen and Favourites of England since the Reformation," it is stated that the universal knowledge and comprehension of things rendered Francis Bacon the observation of great and wise men, and afterward the wonder of all. Yet it is remarkable how few are the references to him amongst his contemporaries. Practically the only one that would enable a reader to gain any knowledge of his personality is Francis Osborn, who, in letters to his son, published in 1658, describes him as he was in the last few years of his life. No one has left data which enables a clear impression to be formed of Francis Bacon as he was up to his fortieth year. The omission may be described as a conspiracy of silence. How exactly the circumstances appear to fit in with the first line of John Owen's epigram to Dominus B., published in 1612!--"Thou livest well if one well hid well lives"; and if the suggestion now put forward be correct that Bacon deliberately resolved that his image and personality should never be seen, but only the fruits of his mind--the issues of his brain, to use Rawley's expression--how apt is the second line of the epigram: "And thy great genius in being concealed, is revealed."