CHAPTER –
18
ADDITIONAL
METALS, ALLOYS AND MATERIALS:
|
Metal / Materials and
reference |
Process of preparation |
|
1. Darpana for Kiranaakarshana
yantra or Solar ray capturing
mirror – in pariveshakriyaa yantra |
Prescribed ingredients in specified proportions purified and mixed ® filled in frog-shaped
crucible ® placed in frog
shaped furnace ® use two winged
Bellows and melt up to 300° d ® pour the molten liquid in
to mould. |
|
2. Prathibhimba-Arka-Kiranakarshana Naala. For attracting reflections
of solar Rays. Text: Nallika nirnaya |
Prescribed ingredient in specified proportions purified and mixed ® filled in Samavargika
crucible ® placed in
Samavargika furnace ® using Suragha
bellow melt up to 315° ® pour in to receptacle ® darpana suitable for
attracting reflected solar rays is obtained. |
|
3. Sunda-mud made glass in puspini – -yantra. Text: Parthiva paka kalpa |
Prescribed ingredients in specified proportions purified and mixed ® filled in crucibles ® heat in Tortoise shaped
furnace for 32 times at 100° using 2 faced
bellows ® pour in to
cooling yantra to get the mirror. |
4. Abhra-mrid
Darpana in Padma Chakra Mukha yantra. Text: Yantra sarvasva
and Darpanaprakarana. |
Prescribed ingredients in specified proportions purified and mixed ® filled in crucible ® placed in Varrathakunda
furnace ® boiled to 200 ° and poured in to mould |
|
5. Cold producing
cristals in pushpini --yantra. Text: Maniprakarana |
Prescribed ingredients in Specified proportions purified and mixed In
Mritkundala moosha ® heated in Kula
kundika furnace ® using Trayambaka
bellows up to 300° ® pour the boiled liquid in
to crystal forming yantra to get pure hard and intensely cold crystal |
|
6. Vaataayanee
metal or window metal In Pinjoola Adarsha
Yantra. |
Prescribed ingredients in specified proportions purified and mixed ® filled in crucible and
heated in furnace up to 100° ® pour and cool. |
|
7. Suranjitaadarsha
Darpana in Guhagarbha Yantra. Text: Darpanaprakarana. |
Prescribed ingredients in
specified proportions purified and mixed ® filled in beaked crucible
® placed in
Varaaha furnace ® using tortoise
shaped bellows ® heat up to 100° and pour in to mould. |
|
8. Anjishta Tree
(Madder root) in Guhagarbha yantra. Text: Aagatatwa Lahari |
The wood of the tree best suited for capturing reflections. |
|
9. Dravapaatra or Acid
vessel in pushpini yantra Text: Darpana prakarana. |
Prescribed ingredients in specified proportions purified and mixed,
filled in lotus shaped crucible ® heated in lotus shaped furnace using five mouthed bellows to 323° ® pour in to cooling yantra
to get Sheeta ranjikadarsha or cold-receptacle glass. |
|
10. Panchadhara
Loha in Guhagarbha--yantra. To make metal pivots in
yantras. Strong and heavy |
Prescribed ingredients in specified proportions purified and mixed ® filled in Mrugendra
Moosha crucible placed in furnace ® using beaked bellows heat up to 300° ® pour in to the mould to
get a fine alloy metals |
|
11. Paaragrandhika Drava. An acid for insertion of crystal Chumbakamani in
Guhagarbha Yantra |
Ingredients to be heated in big bellied earthen pot to yield drava
shining like gold. |
|
12. Chumbakamani. One of the finest
crystals to capture Reflections—guhagarbha yantra. Text: Manipradeepika. |
Prescribed ingredients in specified proportions purified and mixed,
placed in Karpalaa crucible ® baked in
furnace using owl nosed bellows up to 100° yields Chumbakamani. |
|
13. Image producing Niryaasa
or Roopakarsha Niryaasa or
Special Varnish ® a pigment for coating Ascreen-cloth in
Guhagarbha yantra. Text: Niryasa Kalpa |
Detailed process given in the text. |
|
14. Patadarpana in Guhagarbha
yantra. Text: Darpanaprakarana. |
Prescribed ingredients in specified proportions purified and mixed ®heated in a vessel up to
100° ® hold on a flat surface to
obtain a sheet like cloth. |
|
15. Tamogarbha loha in
Tamogarbha yantra. Against poisonous fumes
and Dangerours rays from
enemy. Light and strong |
Prescribed ingredients in specified proportions purified and mixed,
filled in fish shaped crucible ® placed in crow
shaped furnace ® heat up to 100° and pour in to cooling
receptacle. It will yield fine
darkness capturing metal |
|
16. Vaatadhaarana Loha in panchavaataskanda-Naala. Nice, soft, strong,
cool, light metal. |
Prescribed ingredients in specified proportions purified and mixed ® filled in Meayooka
crucible ® placed in
Jamboomukha furnace ® using
Kakamukha bellows ® heat up to 102° ® cast in the yantra. |
|
17. Rowdree darpana in
Rowdree darpana yantra. A flame-proof-glass. Text: Darpanaprakarana. |
Prescribed ingredients in specified proportions purified and mixed ® filled in Padmasya
crucible ® placed in
Viswodara furnace ® heat up to 200° ® pour molten liquid in to
a mould |
|
18. Vaatastambana metal in Vaatastambana Naala. Text: Lohatatvaprakashika. |
Prescribed ingredients in specified proportions purified and mixed ® filled in Matsya shaped
crucible ® placed in
Maghima furnace ® using
Vijrimbhana bellows ® pour in to the
mould. |
|
19. Vidyut Darpana metal in Vdiyudarpana yantra. Text: For protection
against lightning from clouds. Yantrasarvasva,
darpanaprakarana. |
Prescribed ingredients in specified proportions purified and mixed ® filled in padmasya
crucible ® placed in
vishwodhara furnace ® using five
mouthed bellows ® heated to 500° results in the alloy. |
|
20. Badhira Loha or Deaf
proof metal In Shabdha Kendra Mukha
yantra. Text: As per Loha
Tantra. |
Ingredients in equal parts ® cleand and purified filled in Triyuti Crucible, placed in furnace
heated ® cast in
receptacles produces metal cold, dark, sound proof, powerful, able to control
bleeding and draw out particles from wounds of soldiers. |
|
21. Anti-Lightning [lightning
proof] glasses in Vidyudwadashaka
yantra. Text: Darpana
prakarana. |
Prescribed ingredients in specified proportions, purified and mixed,
filled in crucibles ® placed in
padmakara furnace ® using simhasya
bellows ® heated 300° and poured in to
reseptacles. |
|
22. Dambola Loha or
Thunderbolt Metal in
Vidyutdwadashaka yantra. Text:
Lohatatwaprakarana. |
Prescribed ingredients in specified proportions, purified and mixed,
filled in Mandooka or Frog shaped crucibles ® placed in five faced
furnace ® using
panchamukha bellows ® heated to 500° will yield this alloy. |
|
23. Mahorna Acid –
dravakaprakarana. |
Purified ingredients in equal parts and boiled will yield this acid. |
|
24. Vrishala Metal: in
pranakundalini yantra. |
Process details not given. |
|
25. Shytyagrahaka Loha: in Shatyudgama yantra. Cold absorbing metal. Text: Loha Tantra. |
Prescribed ingredients in equal parts purified and mixed in
shundaalaka crucible ® placed in Chanchoomukha
furnace® using
Panchanana bellows will yield a fine cold absorbing alloy. |
|
26. Sheetaghna Glass: Cold-proof Glass: in Shaktyudgama
yantra. Text: Darpanaprakarana. |
Prescribed ingredients in equal parts filled in Simhika Crucible ® placing Padmakara furnace
® using
Shoorpodara bellows® heat up to 300° ® pour in to mould and cool |
|
27. Araara Alloy: in
Vakraprasaarana yantra. A copper alloy, goldish
colour, Light and hard. |
Purified and boiled at 100°. |
|
28. Shaktigarbha Metal: in Shaktipanjara keela of Shaktipanjara yantra. |
Prescribed ingredients in specified proportions purified and mixed,
filled in crucibles ® placed in
Aatapaa furnace ® heating to 100° ® Charged with electric
current results in this alloy. |
|
29. Vishakanta Metal: in Shiraahkeelaka yantra. |
Process details not given. |
|
30. Katana Drava: in
Shabdhakarshana yantra. |
Process details not given. |
|
31. Kwaanaadara Glass: in Shabdhaakarshana
yantra. |
Process details not given. |
|
32. Vajeemukha Metal: in Shabdhaakarshana
yantra. |
Process details not given. |
|
33.
Byndala Metal: in Shabhdaakarshana yantra. A fine light, blue alloy. Text: Lohasarvaswa. |
Ingredients in equal parts, powdered, purified filled in Shashamoosha
crucible and heated in Mandooka furnace ® using five mouthed
bellows to 200° will yield a
metal. |
|
34.
Rutana Acid: in
Shabdhakarshana yantra. Text:
Moolikarkaprakashita. |
Ingredients boiled in vessels to 108° yield fine yellow
dravaka. |
|
35.
Ghantarava Metal: in Shabdhakarshana yantra. A fine, light, scarlet
colour metal, which records all
sounds. Text: :Lohatantra. |
Ingredients powdered and purified filled Shukti crucible wrapped all
round with earth ® placed in
Alaabu shaped furnace ® boiled to 500° ® poured in to the mould. |
|
36.
Pingala Darpana: in
Dishampatti yantra. |
Prescribed ingredients in specified proportions purified and mixed filled in Matsya
crucible ® placed in
Naalika furnace ® using Gowmukhi
bellows ® boiled up to
99° and poured in
to the mould. |
|
37.
Somabhra: in Pattikaabrata
yantra. A particular variety of
mica, sky colour, fine, strong, absorbent, cure for eye
deseases. It has diamond content and
cool to touch. |
Process deatails not given except purification process. |
|
38, Ravichumbakamani: |
Proces deatails not given. |
|
39.
Special mirror for attracting
solar Heat: in Suryashaktyaprakaashana Yantra. Text: Darpanaprakarana. A fine, light, strong.
Golden colour solar heat collecting
glass |
Prescribed ingredients in specified proportions purified and mixed
filled in Antarmukha crucible ® placed in
Shuka mukha furnace and boiled ® poured in
Antarmukhi yantra and churn thoroughly. |
|
40. Shyvaala or Moss acid, Shrini acid, Chaaya
mukha crystal, Jyotsna acid.: Suryashaktapakarshana
yantra. |
Process details not given. |
|
41.
Kshowndeera Metal: in Apasmaradhoomaprasarana
yantra Text: Loha tantra. |
Prescribed ingredients in specified proportions purified and mixed
filled in crucible ® placed in
Chhatreemukha furnace using Surashi bellows heat up to 100° ® pour in to mould. |
|
42.
Vakratunda Metal: in
Sthambhana Yantra. Text: Kriyasaara. |
Process details not given |
|
43.
Naaga Metal, Prajwalakamani, Mahoshmikamani, Manjishta
acid, Jwalinimukhimani.: in Vyswamaara yantra. |
Process details not there. |
|
44. Raaja Loha or King of
metal: In the manufacture of
Kritaka type of Vimanas. This alloy, a heat resistant metal of
Ooshmapaa category is specially
prescribed . This is the fourth in
the series of alloys of Ooshmapaa
category having sixteen types. Use of
Raaja -Loha in Rukma
vimana is mentioned, Rukma
means gold. Yaana-bindu stipulate
that only after obtaining gold colour
on Raja-loha by due process, it can
be used for covering the vimana. Text: Yantrasarvasva. |
Mix Soma, Soundala and Mourtwika metals in the ratio of 3:8:2. Add Borax to be filled in crucible and
melted in furnace up to 272° and churned. Process of imparting gold colour on Raja-loha: Prescribed ingredients in specified proportions purified and mixed
filled in smelter and boiled to draw the liquid through two outlets and
filled in the crucibles and again boiled up to 800° and transferred to the
cooler. |
|
45.
Haatakaasya Metal: in the construction of Mast in
Shakuna vimana. Prescribed by
Lallacharya. Text:
Yantra-kalpataru, Lohatantra. |
Ingredients: Suvarchala or
Natron (8), Laghu Kshwinka or light Zinc (16), Laghu Bambhari (6), Copper (100)
filled in crucible ® placed in
Yasastika furnace and use Mahormi bellows ® heat up to 507°. |
|
46.
Dhoomagarbha alloy: in Dhoomodgama yantra of Sundara vimana. |
Ingredients: Himasamvardhaka, Soma and Sundala in proportions
32:25:38 filled in five crucibles ® placed in Chakramukha furnace ® use Ajaamukha bellows ® heat up to 712° ® properly churned. |
|
47.
Special cloth for making Sundaleeka or fabric
nozzle for obtaining crust through
exhausting of energy as described
in Sundara vimana. Preceptor: Lallacharya. This fabric is a
strong, soft, Cool,heat-proof, tear
resistant, ash coloured cloth. |
Ingredients filled in a vessel ® prepare another mixture
in equal parts of Naga metal, Granthi metal, Vajra, Vynateya, Bambharika,
Kanduru, Kudapa and Kundalotpala ® boiled to 92° ® pour the molten liquid in
to milk cloth machine and churned. Resultant product to be cooled and put through levelling machine to
obtain the special cloth. |
|
48.
Chapalagrahaka Metal:
in electrical energy
storing device in Sundara Vimana. Specified for the
central vessels of storage apparatus. Text: Lohatantra. |
Prescribed ingredients in specified proportions purified and mixed,
filled in Uraana crucible ® placed in
Kundodhara furnace ® use three
faced bellows and melt up to 427° ® pour in to
receptacle and cool. |
|
49.
Shaktiskanda Metal: in
electricity Storage vessel. |
Preparation details not given. |
|
50.
Ghrinyakarshan Glass: Or Solar heat absorbing mirror in Sundara vimana. Preceptor: Lallacharya.
|
Preparation details not given. |
|
51.
Vaatamitra Metal: in Vaataprasarana yantra
in Sundara vimana. Text: Lohatantra. |
Prescribed ingredients in specified proportions purified and mixed,
filled in Sarpasya crucible ® placed in
Chakramukha furnace ® using
Vaaranaasya bellows heat up to 216°. |
|
52.
Kundodhara Metal: in
construction of Chaturmukha
owshnasya yantra of Sundara viamana. A blue, fine, light
alloy capable of withstanding heat up to
2000 d and glass proof against
canons, Shatagni and
Sahastragni. |
Ingredients: Soma, Kanchuka and Soundala in proportions 30:45:20
cleaned and filled in Padma crucible ® heated in Chatraamukha
furnace ® using Vasuki
bellows and heated to 716° and poured for
cooling . |
|
53. Mica: for manufacture of
pillars in Sundara vimana. |
Prescribed ingredients in specified proportions purified and mixed,
filled in Kurma crucible ® placed in
Padma furnace ® using bellows
heat up to 800° ® pour in to cooler results
in Mica alloy, very attractive for pillars. |
|
54.
Trinetra-loha: in Tripura
vimana. Explained by
Shakatayana Shines like peacock
feather, fire proof, unbreakable,
weight less. Impregnable by water,
fire, air and heat, and
indestructible |
Three ingredients: Jyothismati-loha (10), Kantha-mitra (8),
Vajra-mukha-loha (16) to be filled in crucibles ® add Tankana or Borax (5),
Trymika (7), Shrapanikaa (11), Mandalika (5), Ruchaka or Natron (3), Mercury
(3), filled in crucible ® placed in
Padma-mukha furnace and heated to 631° using Trimukhi bellows ® resulting in liquid
poured in to cooler. |
|
55.
Pure Mica: Text: Dhaatu-sarvasva. Fifty different
varieties classified as follows: White Mica - 16 types Red Mica -12 types Yellow Mica - 7 types Black Mica -15 types Out of the above
Pundareeka from the first type
Rohineeka from the second , Panchadhara
from the third, and Drownika from the fourth type to be used
for vimana. |
Detailed purification process as per Samskararatnaakara, Detail process of preparation is also
given in the main text. |
|
56.
Vaaruna Metal: in Tripura Vimana—a light, smoke
coloured, impregnable alloy. |
Prescribed ingredients in specified proportions purified and mixed,
filled in crucibl ® placed in
Padma-mukha furnace ® use five faced
bellows and heat up to 700° ® pour in to yantra and
churn ® further
purification of metal as per Kriyaasara. |
|
57.
Krowncha Metal : in rain protection yantra,
under Tripura vimana. Text: Yantrasarvasva. Light, strong, honey
coloured, rain- water and heat impregnated. |
Prescribed ingredients in specified proportions purified and mixed,
filled in crucibles and placed in Padma furnace ® heated up to 512° using three face bellows ® pour in to churning
yantra and cooled. |
|
58. Aathapaashaana-Loha: in Surgaathapopasamhara yantra in Tripura vimana. Text: Kriyasara. Light, orange colour,
heat proof, and unbreakable. |
Prescribed ingredients in specified proportions purified and mixed,
filled in crucibles ® placed in
Nallika furnace ® using Mooshakasya
bellow heat up to 725 ° churn the
liquid and pour in to the cooler. Further purification as per Kriyasara |
|
59.
Somasa-loha: for housing in electric generator in
third floor of Tripura vimana. Text: Lohatantra. A fine, light, suitable
for use in electrical machinery. |
Prescribed ingredients in specified proportions purified and mixed,
filled in crucible (sarpamukha) ® placed in Naaga furnace ® using Shashamukha bellows and heat up to 350° ® churn the molten metal in
mixer and pour the metal. |
Special
observations / remarks on Additional material, metals, covered above.
Ø Metals, Alloys, Mirrors,
Manis covered in the text under respective chapters are much less as compared
to those covered under Yantraadhikaranam and vimanas.
Ø Detailed
processes of manufacture of metals and alloys include specific-to- type
crucibles, furnaces and bellows, hinting at, the vastness of prevalent
metallurgical sciences.
Ø Melting
temperatures are generally from 99° to 1000° ancient scale, the only
exception being in Kundodhara metal that has melting temperature 2000°.
Ø Temperatures
specified such as 99°, 712°, 353 °, indicate that fine
regulation of temperature control had been achieved and each alloy had a
distinct melting temperature.
Ø As a corollary,
pyrometry, that too with high degree of accuracy and precesion seems to have
existed.
CHAPTER –
19
JATYADHI KARANAM: CLASSIFICATION OF VIMANAS
In this chapter on classification of vimanas as per different Yugas and
Yugadharma, the text explains the types of vimanas and their names featuring in
the yugas. In Krita-yuga, people by
their own powers acquired through righteous living could fly on their own
volition from place to place without the aid of flying machine.
In Threthayuga flying machines were of Mantrika category. In Dwaparayuga flying machines under
classification Tantrika were used. In
Kaliyuga, flying machines of Kritaka category were specified.
Prominent works referred to in Yuga-wise classification are as follows:
Vimana Chandrika.
Vyomayaana Tantra.
Yantra Kalpa.
Kheta-yaana-pradeepika.
Vyomayaana-arkaprakashika.
Observations:
Yuga-wise classification needs deeper study.
Many texts seem to have existed covering vimanas; their authors however
are not mentioned.
The next sootra deals with the names of vimanas as classified
yuga-wise:
Tretha-yuga – Mantrika type – 25 varieties of flying
machines starting from Pushpaka.
Dwapara-yuga – Tantrika type – 56 varieties starting
from Bhyravi.
Kali-yuga – Kritaka type – 25 varieties starting from
Shakuna.
Besides Maharshi Bharadwaja the other preceptors detailing the
classification are Shounaka, Goutama, Manibhadra and Lallacharya.
Observations:
The large number of vimanas hints at conception of
application-specific varieties.
It is significant to note that ‘Tripura’ vimana covered in the text is
distinctly missing from the Kritaka variety.
CHAPTER –
20
KRITAKA VIMANAS
Four Types of Vimanas:
The
last few sections of the work Vymanika shastra deal with four types of kritaka
vimanas Shakuna vimana in the lead.
Twenty-five vimanas of this category
of the current Yuga are stated as follows:
Shakuna
Sundara Rukma
Mandala Vakratunda Bhadraka
Gajaavarta powshkala Viranchika
Nandaka Kumada Mandara
Hamsa Shukaasya Sowmyaka
Krownchaka Padmaka Symhika
Panchabana Owryaayana Pushkara
The text Manibhadrakarika,
quoting sage Gowtama as also Shounaka sootra indicates the same number of
vimanas in the same order. This perhaps
reflects that both the sages had the same origin of study. Prescribing specific alloys for the
structure of Kritaka variety, the text Kriyasara dictates use of
Raja-loha. This prescription is echoed
by Vishwambhara also. The process of
manufacture of Raja-loha is discussed in brief. Here all the three Ooshmaapa core-metals figure. Soma, Soundala and Mourthweeka in proportion
of 3:8:2 mixed with borax and melted 272 ° and churned form this
alloy.
Observations:
Ø
While Shakuna, Sundara and Rukma appear in the list,
Tripura vimana discussed in the work is conspicuously missing. In fact, Tripura does not feature among
vimanas of Tretha and Dwapara categories as well.
Ø
The core metals of heat resistant variety discussed
under the Lohadhikaranam form the alloying components of Raja-loha. This indicates continuity from the said
chapter and the current one.
Ø
Lohadhikaranam dealt with core metals of specific
thermal resistant variety. Raja-loha
among them is an exclusive alloy developed for very specific properties.
Shakuna Vimana:
This vimana contains
twenty-eight parts. They are Peetha or
Floorboard; hollow mast; three wheeled keelakaas; four heaters; air
suction-pipe; water jacket; oil tank; air heater; heater; steam boiler; viduyut
yantra or electric generator; air propelling yantra; vaatapa yantra or air
suction pipe; dikpradarshana dwaja; shakuna yantra; two-wings; tail portion;
owshnyaka yantra or engine; kiranaakarshana mani.
Constructional aspects of the
vimana are given too briefly and also without clarity. However, from the English translation
(literal and frequently sprinkled with modern terminology) we have made an
effort to analyse. Floorboard is a
sheet-metal structure made of Raja-loha options have been offered to make the
shape circular, rectangular or cradle shaped.
Weight of the Peeta or Base is one hundredth of the total weight of the
plane. Width of the peeta is half the
height of the mast. Hollow mast is to
be erected by suitable joinery at the center of the peeta.
Lallacharya quoting
yantra-kalpataru prescribing only Haatakasya metal for the mast or stambha
specially describes hollow mast. In
this particular case a quadrangular base with two ends converging into
triangular form has been opted. Hollow
mast or Naala stambha is a three tiered-construction inside and outside
diameter reducing with each tier upwards.
Wheels provided on the length of the Hollowmast are not meant for
movement of the vimana. From the
description available two outer fixed wheels and the central rotating wheels,
some kind of a compressor / turbine arrangement seems to be under discussion to
obtain higher pressure and velocity.
Window-Dome provided at the
top of the vimana accommodates the sun crystals crowning the dome. Sun crystal is big in size. In the three vertical tiers of vimana, the
first tier rests on the peetha. They
are separated by thick floorboard.
First floor houses four heat engines at the corners. Supporting pillars in the ground floor accommodates
passenger cabin. Second floor or tier
accommodates angayantras.
Below the ground floor a
cellar houses some yantras, four air compressors are provided and around the
bottom of Hollow-mast. Air compressors
are supposed to be driven by steam power.
The arrangement described
for the wing is interesting. The wings
are made of a number of feather-like structure stacked one over the other and
move around a common pivot. They can
open out or close as seen in a feeler-gauge.
The wing will also flap along hinged joints to generate lift.
A separate tail plane to
facilitate elevation or take-off is provided.
As per the description the heat engine drives the propeller to produce
usual aircrew action. Controlling of
wing feathers and tail units is through control cables originating from the
cockpit.
Ignition of the oil (fuel)
seems to be by electrical means. For
storing compressed air leather bellows have been suggested.
Observations:
Ø
Preparation of Hatakasya alloy has been covered
earlier in this report.
Ø
Construction of the structure and a hollow mast hints
at attempts to achieve streamlining.
Ø
Units of measurement like Vitista needs to be verified
and established conclusively.
Ø
Three sets of wheels along the length of the hallow
mast, hint at their being power developing source. Wheels for the movement of the vimana on ground are separate.
Ø
Use of sun crystal is obviously for solar energy
extraction.
Ø
Use of steam power to drive air compressor seems to be
strange since steam generation during flying is itself strange.
Ø
Possibly Shakuna is one of the early variants of
Kritaka type, deriving its name from the basic definition of bird. Hence the arrangement of flapping and
spreading wing and tail construction feature.
Ø
In essence Shakuna is a rudimentary type with aircrew
arrangement.
Sundara vimana:
Eight constituent parts are:
Peetha or ground plate Smoke chimney
Five gas engine Bhujya metal pipe
Wind blower Electricity generator
Four phased heater Outer cover
Peetha or ground plate of
Raja-loha with options to have square or round shape. In the centre of the peetha Dhoomaprasaran Naala or pipe is
provided. Hollow mast is a tall
cylindrical member with provision to store gas energy at the bottom
portion. Water vessels, oil tanks are housed
at the centre. At its foot electricity
is stored in a container.
Oil container will have
three oils: Dhoomanjana oil, Shukatundalika oil (eggplant oil) and Kulaki or
Red arsenic oil in the ratio of 12:20:19.
Ignition of the oil mixture is by electrical means. Distribution of gaseous products seems to be
through a special arrangement ensuring even spread of gases. Dhoomodgama yantra is meant to eject gaseous
mass with speed. In constructing this
only Dhooma garbha loha with composition of Himasamvardhaka, Soma and Soundala
metals have been specified. Control of
high-energy gaseous products is through revolving wheels (possibly to operate
valves). Description indicates a
hydraulic accumulator type of arrangement for storing gaseous product. Ignition of oil is achieved by combined
process of electrical energy and friction.
Actual thrust is obtained by
passing the high-energy product through a number of Sundalas or Jet
nozzles. This obviously seems to be
based on reaction principle. Manufacturing
process of Sundala (made out of special metal-impregnated fabric, flexible,
heat-resistant) as given by Lallacharya is explained in brief. These sundalas or naalas are kept rolled-up
over revolving drum while not in use.
They are unrolled and kept taut while in use. The gaseous products get discharged through a number of them in
jets producing thrust.
Generation of electric power
has also been briefly covered. The text
talks of 32 types of machines to produce electrical power. Different methods broadly stated are
friction, by thermal process, by waterfall, by combination of all these and
also by solar rays. This technology is
ascribed to sage Agastya in his work Shaktitantra. Electrical power production is described using four vessels
located in four directions and a central vessel. Several types of acids, dravas are used in each vessel. Crystals or Manis such as Vidyutgama,
Jyotirmukha play a key role.
Extensively treated lion’s
skin and deer’s skin (possibly for their high insulation properties) figure in
the process. Central vessel forms the
accumulator of electricity generated.
Anshupa Mani or Solar rays absorbing crystals is the main medium that
absorbs heat that gets converted to electricity through a process not clearly
described. The process of storing
electricity by use of mercury has also been brought in. Stored electricity is
conducted to all parts of the vimana through insulated cables for operating
various services.
Vataprasaran yantra is
described as one to generate the main Udgama Shakti or lifting force. This yantra comprises of twelve parts,
including Naala-Stambha, valves regulating inlet / outlet for fresh, compressed
air, exhaust, air guides, vanes. The
system includes an air compressor. The
description hints at using compressed air jet to obtain thrust. Further description mentions that compressed
air conducted through Naala sthambha and energy product by Dhoomodgama yantra
through the inside of the main mast or Bruhad sthambha. They confluence at the end and go out
through sundalas with high velocity, effecting jet propulsion.
As stated for Shakuna
vimana, Raja-loha is used for structure and covering of this vimana also. Chaturmukha or Oushnya yantra is the main
heat engine. Comprising of 18 parts this
includes, Peetha, Smoke accumulator, Oven, Water container, Valve controls,
smoke opening, Regulatory valve, heat indicator (temperature), Time clock,
Speedometer, Sound-transmitting instrument, Anthardhanda Ghata, air bellows,
Long sundala pipes, Copper pipes etc. Sundala used as jet nozzles to obtain
thrust are also used for vertical and aft movements and directional control of
the craft. Computation of speed claimed
to be achieved needs a relook. The
thrust from each contributing source seems to have been added up. Retranslation of many verses in this chapter
may help in better understanding.
Observations:
Ø
Use of specific types of oils suggests that
high-energy potent fuel be under discussion.
Ø
Some error is noticed in the direction of movement of
the craft vis-à-vis jet stream from sundala nozzles. Applying the principle of reaction the movement of the craft
should be in the direction opposite to the thrust line. Possibly this aspect is dealt by Swami
Dayananda Saraswati in his Rigbhashya Bhoomika. Incidentally this is quoted in the report of I.I.Sc Bangalore
also.
Ø
Very importantly solar energy employment for producing
electricity is a unique feature.
Probably this technique was not heard of even by the middle of 20th
century.
Ø
Use of sundalas, as jet nozzles are again
interesting. Operating each sundala
independently and varying mass-flow and velocity of jet separately, multiple
degree of craft control should be available.
The description of this vimana is too brief to comprehend the
principles of working. Rukma meaning
gold, the vimana has been so named because of its appearance of golden
colour. Impregnating gold colour on
Raja-loha precedes fabrication of structural part of vimana. Yantra-Bindu and Varna Sarvaswa explain the
colouring process. From the manner
described it is not a plating process.
Peetha is stated to be
tortoise shaped of length 1000 ft. This
however is too long and needs translational, interpretational verification as
well as equating units of measurements of length. The other parts are Ayaschakra pinda and Batimikaa sthambha. Description of flying lacks clarity. However, utilisation of electrical energy to
operate Electro-Mechanical arrangement to enable vimana to lift off and
accelerate is hinted. A speed of 105
kroshas or 250 Mph. Per ghatika is stated.
Directional control as suggested by Lallacharya is through conventional
rudder system provided at the base and articulated through crescent shaped
plate by means of push pull rods.
Observations:
Ø
Pushpaka vimana of epic Ramayana is also described to
be golden colour and delightful looking.
Aesthetic sense of the scientists to cater for the needs of the Royale
manifest here. Gold colour imparted to
Raja-loha is before the alloy is used in structural part. In fact it is built in the alloying process
itself to make it an integral part of the metal.
Ø
We note that the earlier two vimanas discussed did not
mention of gold colouring.
Ø
Rukma is stated to reach speed up to 250 miles in 24
minutes, a speed of 725 miles per hour.
Tripura vimana:
Tripura is the last of the
representative vimanas discussed in the text.
It has two unique features. It
is a three-in-one craft and also a solar powered vehicle. Tripura means three storeys or tiers. This concept is brought in the form of a
three-tier construction. The first tier
is for operation on land, the second one for operation on water and inside
water and the third for flying in air.
As an integral unit of three tiers the craft is stated to be a flying
machine. Differential use of first and second tiers independently for movement
on land and water is stated to be possible.
In contrast with the other
three vimanas this is to be made of mica (first floor) and Thrinetra loha
(second and third floor). The arrangement
talks of wheels provided underneath peetha for locomotion on land through
electric motor. The wheels are
retracted from the ground before vehicle moves into water in amphibian mode. During movement on water boats provided on
the deck possibly to act as buoys.
Detailed manufacturing
process of obtaining particular type of mica has been dealt at length. Layout details of the first floor include
provisions for aisle, cabins for crew and passengers and storage enclosure. Covering of the first floor is by water /
air proof fabric, easy to install and dismantle.
Second floor is
proportionately smaller than the first.
Electric power is provided to second floor as well. When the second floor gets into water the
open hatches of the wheel will be covered by special milk-cloth having full
water proof property. Supply of air to
the second floor is ensured through ducts made of milk cloth. This air under pressure is meant for comfort
of personnel in first and second floors.
For protection, safety and
comfort of crew and passengers three separate yantras are provided viz., one to
protect against stormy winds, the second against solar-blaze and the third
against rainstorm. Construction of the
third floor is similar except that it is proportionately smaller. The special feature in the third floor is
that it houses electric generator. The
cabin for this is to be made of Somaka-loha.
The procedure for extracting
electric power from solar rays has been mentioned. Vessels and tubes made of Anshupa glass of a specified variety
and some electricity generating crystals participate in the process. Anshupa and Sanjeeraka crystals play the
primary function. Purpose and function
of Ganapa yantra discussed in the text needs separate study with suitable interpretation.
Observations:
Ø
Three-in-one concept includes amphibian and under
water modes of the vehicle as well.
Ø
Use of solar energy for powering an aircraft is a
unique phenomenon, heard for the first time in the aviation technology.
Ø
To highlight the features of Thrinetra-loha, it is
flame proof, unbreakable, waterproof and above all, weightless. It has the Shane of peacock feather.
It is interesting that
Researchers abroad have perceived Vymanika Shastra in a positive and meaningful
manner. Their Interpretation and Analyses reflect commitment and open
mind. Their focus seems to be on
yantras, metals and materials and vimanas.
They are attracted by the contents of the text that specify use of
mercury, Copper, Magnets, Electricity, Crystals, Gyros and Acids. Mercury in particular is identified as a
high energy-potent element. They
interpret that the text talks of Mercury Vortex Engine for propulsion
system. Coating Scientific Encyclopedia
they point-out that mercury is known for its utility even by 500 BC. Mercury Vapour Turbine Engines are reported
to use Liquid Mercury, recycled in a closed circuit system, consumption
therefore being negligible. The other
distinct properties are, it is a conductor of electricity, and amplifies sound
waves.
Samarangana sootradhara of
King Bhojaraja unveils the use of mercury in engines for aviation use very
distinctly. Briefly explaining the
operation of this type of engine, western researchers, quoting this treatise,
mention this as a heating device placed underneath to cause ignition,
triggering the potent energy in mercury to drive the whirlwind in motion. This produces highly intense impulse
catapaulting the flying machine into air instantaneously.
Use of liquid mercury in
Gyroscopic applications makes it even more versatile. The characteristic features of liquid mercury are; Heavy Protons
found in mercury atom are highly stable, Gyroscopes of this kind do not need
any warm-up, they are vibration and shock-proof. These gyroscopes have no moving parts and can run forever. In addition they offer compactness and
weight reduction advantages so vital in aviation use.
Researchers abroad point out
that Crystals, Manis and Mirrors stated in this work have potential not yet
explored by modern science. Crystals
today, though sparingly used in technology still play a dominant role in
Digital Technology.
Some western researchers
strongly feel that ancient Indian aviation included propulsion system from
Electromagnetic Lift and Repulsion principles and vertex propulsion. Many experiments have been reported from
these experimenters working on modeling vimanas with these principles
inbuilt. Such trials are predominantly
after 1950s. It appears from the
results of these experiments that though the methods look unconventional as
compared to established technology, they are not opposed to them from the point
of basic principles of science. Famous
experiments on small flying crafts known as searls craft have added credence to
applications of these theories in aviation.
This topic on views of
foreign researchers have been briefly introduced just to give a glimpse of
happenings outside the country on principles of ancient aviation science. There have been a number of books published
by several authors in the recent years.
We believe that researches on ancient aviation sciences receive far
higher impetus in the coming decades.
CHAPTER –
22
ATYPICALS
Vymanika Shastra, known to be one of the forty chapters of the Yantra
Sarvasva, is available with some study centres, while the mother work itself is
mysteriously untraceable. It could be a
matter of conjecture that this Encyclopedia on machines might have accompanied
Vedic Sciences into Western countries.
English translation of the work features six chapters while the preface
talks only of three chapters. This
anomaly is to be reconciled.
The treatise narrates sophisticated features of flying machines. Basic features of aeroplanes such as main
planes, rudder, elevator, fuselage, cockpit layout, flight controls, landing
gear and related systems find sporadic mention.
Ground systems to support aviation such as control tower, communication
and navigation aids, runways or airstrips do not appear in the text.
Even though both Vymanika shastra and Samarangana sootradhara describe
flying machines, strangely both the treatises make no reference to each other.
Out of four vimanas mentioned in the work, Tripura vimana does not find
place in the list of Vimanas prescribed for the current Yuga. Similarly, Soubha vimana referred to several
times in Mahabharata does not appear in the list of 56 vimanas of Dwapara
Yuga.
The last few sections of the closing chapter dealing with four types of
representative vimanas lack clarity. It
looks as though a need was felt by the author to short-close the work in a
hurry. Customary manner of conclusion
and closing frills are conspicuous by their absence.
Literary:
Ø
Vymanika Shastra is a work of ancient Indian origin,
an offshoot of Vedic science.
Ø
There is enough logic and supporting mythological
evidence to indicate that the great seer Maharshi Bharadwaja authored this
work.
Ø
Bodhananda’s commentary and Swami Dayananda Saraswathi’s
references to textual content of this work indicate that the subject work
featured in the earlier periods of known history.
Ø
The work manifested for the first time in manuscript
form during the end of 19th century and first two decades of 20th
century. This was through revelations
of Pandit Anekal Subbaraya Shastry and transcripted by Sri. G. Venkatachala
Sharma. The last occasion any textual
material got into the transcript was not latter than 1923.
Ø
The transcript did not find recognition till the end
of British rule in India. Follow up studies started only later.
Ø
Studies on literary aspect of the work by several
researchers continue even now.
Ø
Foreign researchers did not show inclination till late
seventies. In fact they had shown
disdain at the mention of the work.
Post–1985 period saw tremendous spurt in their interest.
Ø
Approach to the study of works of this nature should
be altogether different. It needs
faith, open mind, genuine interest, decoding ability and interpretational
skills.
Military, Aviation and weaponry:
Ø
‘Flying’, as a craft, had been perceived by Ancient
Indian Scientists. Other civilizations such as China, Greece, Egypt also had
the knowledge of aviation technology.
Ø
Concept and development of aviation technology was
quite advanced. A variety of flying
machines with application-specific on-board systems had been conceived and
developed. In fact, they stretched into
full-fledged military applications more than mere mundane air transportation.
Ø
The concept of ‘pilot’ as a specialist was clear to
ancient preceptors. His role as a
warrior in the sky reinforces the visualisation of a combat pilot. Focus on his stringent training shows the
right direction of thinking. Specific
dietary and clothing prescriptions further validate the scientific lines on
which ancient aviation support was based.
Ø
Natural vegetation has been harnessed fully for food
processing meant for military sector.
Ø
Besides sage Bharadwaja, other seers of name and fame
in mythology such as Goutama, Shounaka, Vashista, Agastya, Atri, Narayana,
Lallacharya and many others made in-depth contribution.
Ø
While some vimanas were role-specific, others were
multipurpose
Ø
The Aviation Environment relating to support systems
such as aerodromes, runways, communication and navigational aids, air traffic
control etc., seem to be distinctly different from those of modern days. The concept is seen to be on the lines of
self-contained flying machines capable of flying independent off ground support
aids.
Ø
Use of energy sources in the environment and on-board
to achieve defensive and offensive modes are noticeable.
Ø
Use of explosives and their detection technology is
unmistakably distinct. This indicates
the existence of a full-scale technology on explosives.
Ø
Biological warfare in aerial-combat features at
several places.
Ø
Evasion tactics from enemy aeroplanes,
avoidance-options and concealment from enemy-detection constituted special
features of Air-Defence Techniques.
Ø
Offensive strike devices even to the extent of causing
catacyclic effects have been discussed.
Ø
Aerial displays of flying machines, Manoeouvres,
Aesthetic and Dominating effects discussed in the text have striking
resemblance with modern flight-displays.
The year 1918 AD is an interesting benchmark. Coincidentally this year saw the exit of the First World War and
it also heralded the completion of the work Vymanika Shastra in written
form. The levels of military aviation
technologies between the contemporary technology and the textual substance of
this work show that ancient Indian science was far ahead of times.
Ø
It is revealing to compare the levels of aviation
technologies that existed at the time of completion of Vymanika Shastra and the
First World War, November 1918. Combat
aeroplanes were used in sizeable number.
All the same, the maximum level of technology in combat aviation can be
gauged from the prevailing art of war machinery. Fighter planes with piston engines and propellers flying below
15,000 ft. having twin-gun firing capability were pressed into operation. Speed of the aircraft was just over 150
Mph. Aircraft with long range
capability were used for photo-recci and deep strikes. On the other side German aviation technology
constituted Bi-Plane bombers of large size, 90 ft. wing span, twin engines of
200 H.P., Bomb loads of 2000 pounds and operating range of 200 miles
constituted the front line up.
Technical:
Ø
Only after 1952 researches relating to the technical
content commenced. A number of groups working
on this aspect increased appreciably after 1985. Foreign researchers have focused on topics like mercury vapour
propulsion, anti-gravity material development, and mercury as a source of
energy and multipurpose application.
Ø
Knowledge on
atmosphere was advanced.
Ø
Deep knowledge of geological science relating to
formation of core metallic ores suitable for aviation application did exist.
Ø
Many materials and alloys discussed in the text were
for exclusive applications. It would be
an interesting study to find out whether modern technology offers
equivalents.
Ø
Barring a couple of oblique references, physical and
archeological evidence discovered so far, there is no direct evidence to throw
light on the existence of vimanas in ancient civilisations the world over. However science and technology discussed in
this work amply hints that vimanas did exist.
Some of the features and concepts talked about in the text do not appear
mere theoretical. They could not have
got generated purely by imaginary perceptions.
Ø
Extrapolating the contents in the work over the
untraced mother work (Yantra Sarvasva – ascribed to be an encyclopedia on
machines) one has to appreciate the enormity of Knowledge-Base.
Ø
Over forty scientific texts on various disciplines
including aviation, metallurgy, atmosphere, yantras, manis feature in this
work. This qualifies the impression
that broad-based scientific research in these fields both in pure and applied
sciences must have preceded. Successful
development of many materials contained in this work at science laboratories in India vindicates the textual substance
Ø
From the references made to Kriyasaara in this work,
it is evident that this treatise dealt with Dynamics of Machinery.
Ø
Taking into account successful laboratory development
of many materials as a means to validate the text, there seems to be enormous
potential both for pure and applied sciences in the areas of physics
[particularly optics], Chemistry [Organic, In Organic and Bio], Geology,
Meteorology etc., to go deep in to the precepts and descriptions featuring in
this book.
Ø
References to a variety of texts like Loha tantra,
Loha kalpa etc., it is evident that a comprehensive knowledge on geology,
mineralogy, mining and manufacturing processes of metals and alloys existed. The researches conducted so far have been
promising and in the right direction.
However laboratory experiment conducted till now indicate that only such
material involving few ingredients in their composition have been
attempted. Other materials involving
many ingredients are yet to be taken up.
Strange composition in the recipes such as urines of animal origin,
snake’s slough, eagle’s eye-balls etc., needs deep research to establish
relevance and their role in the manufacturing process. Metals like Thrinetra Loha, Kundodhara Loha
should be of great challenge to metallurgists of the day.
Ø
A grey area needing immediate attention and deep study
is regarding units of measurements relating to Length, Temperature, Force,
Weight and Volumes. Their modern equivalents
need to be established for correct understanding as aid to researchers.
Some of the units are:
Weight Linka, Mushti, Kankusta
and
Pala
-(equal to four tolas)
Volume Drona
Electrical
current Linka
Length Krosha, Danda, Vitasti,
Yojana
Temperature Kaksya Interpretational
equivalence
Varies
from 2.5° C
to 4° C
Speed Prenkhana, Linka
Time Ghatika (24
minutes)
Ø
The drawings and diagrams of the vimana need careful
study. Possibilities of errors having
crept in due to human imagination exist.
Ø
Laboratory developments have been undertaken by units
under CSIR, Birla Science Centre and IIT Mumbai. R&D Laboratories under Ministry of Defence are yet to react.
Ø
To explore their intrinsic scientific value, Vymanika
Shastra and Anshubhodhini should be taken up for indepth study for the benefit
of Defence, Industrial and Commercial applications.
Ø
Efforts are required to trace and locate texts and
guides in this treatise. Yantra
Sarvasva, missing parts of Anshubodhini a series of guides on lohas, darpanas,
crystals, dravas should be traced.
Ø
Contents of Metallurgical and Material Sciences of the
work should be fully explored by Basic and Applied researches through specific
project. Successful development of materials
at Science Laboratories should serve as pointers to undertake such
activities. Development of Lohas such
as Thrinetra, Ghantarava, Thamogarbha, Kundodhara, may prove unique in nature. Similarly study on crystals may open up
fresh avenues in Digital Technology.
Fabrics, Glues and any other nonmetallic substances (Organic &
Inorganic) may offer fresh options to modern technology.
Ø
Prescribed Food varieties and Clothing should be taken
as guide to undertake further research to develop requirements of aviation at
research laboratories of defence R&D, CSIR.
Ø In the light of our findings that conduct of researches done so far are sporadic and disjointed. There is a need to set up an Integrated Centre to coordinate this effort. The participation of Defence (R&D). CSIR. ISRO, DSP, Science Foundations, is vital to activate research under a common name. The study team is willing to take up this task, if assigned.
Ø
A host of data
related to Ayurveda revealed in this text should be sisted and assigned to scholars
in this discipline. Our findings
indicate that most of such materials have been confirmed to be available and
identifiable even now.
Ø
A Bank of
Sanskrit translators and interpretors should be formed to provide the backbone
support to research centers.
Ø
Free flow of information on Decoded Data, Development
Status, Critical Findings should be arranged amongst such centers.
Ø
Principles of Levity, Anti gravity, Mercury Vapour
Propulsion etc., need serious study to be translated in to Technologies
Ø
AR&DB, Ministry of Defence may respond to study
team proposal of a second phase of the project on Vymanika Shastra.
Project study on “Vymanika
Shastra” is a humble attempt to update the views on the work at the turn of the
century and therefore called “Vymanika Shastra Rediscovered”. We have taken into consideration various
views expressed by Individuals and Group researchers, appreciative as well as
adverse. We have made honest effort to
bring in reports of Literary and scientific studies, Interpretations,
Laboratory tests together with our observations on the topics in the work. We are thankful to all those who contributed
into this effort. Their reports form
appendages to our main report.
While no direct physical
evidence exist today to establish that vimanas did exist in ancient times,
literary works and epics aver that they did exist. Nevertheless, there is enough evidence to say that technology of
aviation and related sciences did exist.
It is not our claim that vimanas can be constructed from the contents of
this work. Aeronautics being a complex
subject demands extensive base work before an aeroplane is developed even in
rudimentary form. What need to be
focused upon are the perceptions, precepts, concepts and the supporting
technology discussed in this text. It
is possible that interpretation of expressions may vary because of inherent
nature of Sanskrit. At least one of
them has to be right. An integrated
effort among all research enthusiasts is vital in the process of deriving
tangible benefit to the technological field.
Inspired by the thrill in
this study, the Study Team has drawn Objectives for a Second Phase of study
with a view to go more deeply into technical content and integrate various
researches on a common platform. For
this exercise we need the support of the organisations interested in this kind
of Research Exercise. Takers may kindly
approach us.
1.
Vymanika Shastra - Pronouncements of Maharshi
Bhradwaja conveyed through Sri. Anekal Subbaraya Shastry translated into
English by Sri. G.R. josyer
2.
Sections of Amshu Bodhini by Maharshi Bharadwaja
3.
Articles from Issues of Bharatiya Boudhika Sampada.
4. Report
from Sri. N.G. Sheth, Bombay.
5.
‘Yantras in Ancient India’ by Dr. V. Raghavan, Indian
Institute of Culture 1956.
6.
Sections of ‘Samarangana Sootradhara’- Translations
from king Bhojaraja’s work.
7.
Prasthanatraya – by Swami Madhusoodana Saraswati.
8.
Sections of Issues from Indian Journal on History of
Science published by Indian National Science Academy.
9.
‘Vimana In Ancient India’—by Professor D.K. Kanjilal.
10.
Research reports on Prakasha Stambhana Bhida Loha and
Dwantapramapaka Yantra—National Metallurgical Laboratory, Jamshedpur, 1999.
11.
Views from GP. CAPT. M. Matheswaran. V.M., M. Phil.
12.
Report from Birla Science Centre, Hyderabad.
13.
Report from Indian Institute of Technology, Bombay.
14.
Report from Dr. K.H. Krishnamurthy.
15.
A news report from Deccan Herald -- an address by
Italian scientist Dr. Roberto Pinotti 1988.
16.
‘Critical review’ by Indian Institute of Science,
Bangalore 1974.
17.
“Tradition,
Science and Society” by Dr. R. Balachandra Rao, Bangalore.
18.
‘Vimana Aircraft Of Ancient India and Atlantis’ by Mr.
David Childress.
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