This item of ancient Egyptian pottery has proved to be something of a symbolic and esoteric goldmine from the point of view of my investigations
into ' alien ' human interventions asserted by David Icke in his recent book : The Biggest Secret.
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I can't offer the reader any details of the pottery
exhibit's history in any way; I have the sender's promise that it relates to ancient Egypt and this will suffice for the purpose here.
Generally, the
imagery and symbolism refers to ' Apis ', a deity, and its adventure with supine mankind. The literal and metaphoric thread running through all this is
represented by the curved rope-like image dividing the pottery shard into almost equal sections and contributes to the basis of many other
images we will examine later.
I state this before proceeding further : I BELIEVE THIS TO BE THE IMAGE OF HUMAN GENETIC D.N.A WITH THE ESSENTIAL FIVE
PROTEIN BASIS BEING INDICATED BY THE FIVE HINGE-LIKE EXTENSIONS IN ITS MIDDLE SECTION.
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The complementary images all
seem to sustain this fundamental concept of generation and reproduction in various stages and themes of manifestation. It is as if the DNA
strand is being portrayed as literally unwound at a crucial juncture for some symbolic purpose. Is this the alien intervention suggested by David
Icke ? Let us continue.
In keeping with mysterious symbolisms, the complex technical standard of perspective, blending and concealment of images is on par with other
data I have published in this magazine.
The artists and sculptors have again been at pains to disclose some aspects like the Bull, and conceal
others, like the deity equipped with the mechanical arm apparatus in the lower right portion of the main picture. When you know what you are
looking for, recognition becomes strightforward and based upon recurring themes and ' personalities ' such as the alien overseer with a ' Darth
Vader ' helmet in my picture
extracts ( B ).
Apis. It is stradling a human of native appearance, and it has been
suggested that some of the hooves are adorned with footwear ! I leave this to you to decide.
Note how the right portion of the man is developed
into a crocodile image, and the feet heels form the heads of flying creatures.
The hat and beard style of the man may perhaps give us identites
of the period alluded to of this mythology. Can you help ?
Within the torso of the unfortunate man, is the head of a creature which appears canine or feline to me, depending on the genus of animal in
either group you chose; it isn't particularly human, either way. In an arch-position in the upper left is the 3-in-1 image of reptilian faces. The
construction is very clever, because there is a particularly sinister face in the middle ( No 2 ) [ Extracts A ] formed out of the nostrils of the larger
crocodile head ( No 1 ) of same. This appears to resemble the GIZA Annotated bitmap image of a dreadful mythological monster which I have
submitted on another feature in this mag. I recommend you look it up. The lower ( No 3 ) face is basically reptilian in the modern image of same,
and again cleverly concealed in the bull's head profile. This multiple sub-text suggests some sort of reptilian pedigree to me, possibly.
Returning to the unfurled rope image running through the middle portion of the pottery, the image sub-groups now seem to represent entities
which are only found in mythology and fable ( Apis notwithstanding ); and some not even in these resources. In the right portion, observe a
seal-like entity holding a mechanical claw device as a left arm; the head is expanded into another variant still using the same body shape. This
image is repeated in other ancient and modern ( N. American ) cultures ( city designs ) even today. Who and what is this ? A pair of eyes are
looking in from the middle left - who's this ?
To the right of the pottery piece is a minor tableau of evolution or development of a dragon-like bird in procession from to to bottom, and allied
with the horizontal bars of the ( my alleged ) DNA strand. All of which leads into the head of a human native-looking female holding some sort of
newborn entity. Note how the head is carefully designed to highlight a canine entity looking out at you - something similar to the larger one
already mentioned above and featured significantly in Mayan Indian data published elsewere in this magazine.
The left of the pottery shows a pregnant creature with child in state of repose.
Let us now look at the extracts and supplementary images uncovered by using different angular
perspectives. You may be surprised.
Basically, these are described by the above commentaries, and I have isolated them for ease of visual inspection. They are perhaps difficult to
recognise in the original photo, and I understand foks who simply cannot see what I can. For those who rightly consider I have allowed artisic
licence to prevail ( fair comment ), I would ask you to bear in mind that I cannot draw originally. I can copy well enough, that is all. Look at the
symmetries and proportion of simple lines comprising the figures, I could never create this imagery if I tried.
The Embryo - discovered by turning the original picture through 90 degrees right as a bitmap image on my PC. Consider how the ' DNA strand '
forms the spine, and the flanks of the bull the eye and mouth. Its something similar to plankton featured in nature films about sealife. Again, it
isn't particularly human, is it ?
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Human head - discovered by rotating through 180 degrees. The poor chap looks fraught and somewhat simple in visage; was this a first indigenous
earth human, colonised by alien interlopers ? Within the main shape we find an alien feature in front of a non-human infant creature, and some
sort of alien worker in the process of some task in hand in the top of the head feature.
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Alien head - Similar rotation and magnification amplifies the alien head, and portrays it as overseeing a human maternity scene attended by
human Egyptian witnesses. Is this a detail of the main theme of alien intervention for colonial and generative ( genetic ) purposes ? Simon Gerrard
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Moreover, is
this alien chap one of the ' Greys ' mentioned by thousands of sources, and is seen here wearing a protective outfit of sorts.
Note also the throat adornment common to most of those early images. Could this be more than an ornament, such as an apparatus to aid
breathing, and using chemical or crystal technology we have yet to discover; or maybe don't need since we are adapted naturally to our
environment.
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Who knows ? There are lots of questions here, proffered by me to prompt you to consider you may have the answers. I hope so, because I
haven't and I would be fascinated to learn more of this profound mystery of human existence, the echos of which are apparently still with us
today.
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