This is the last submission here, but absolutely not the conclusion of the images hidden all over this
stone relief. There are so very many more, especially of a smaller scale and illustrating various
sub-texts about the lives of these colonisers of earth and our early human ancestors. Limitations of
the picture resolutions are the only obstacle of this, but I feel you will have seen the general themes
intended by the original architects of this work. Essentially, the Adamic ( Lion-like ) masque with a
suggestion of a beard in the Assyrian / Babylonian style, sets the scene here. From this are derived
the complementary extra images which illustrate quite superbly the technical concept of blending and
rotating perspectives to supplement others. Observe, if you will, the Adamic / Assyrian ' man '. The
upper mouse-like face is adapted to the head outline, as is the canine creature to the left in turquoise.
Not so complex, is it, until you turn these images a further 90 degrees to the left - processing
therefore thro 360 back to the original header-shot of this magazine submission.
Before examining this in detail , let us stay with the main analysis here. In the upper left is the face
of a monkey with quite a demonic expression, poor thing. Within its left border is the side-profile of
the Adamic man image found in the Egyptian Pottery, Giza, Sphinx, Richmond park images
submitted elsewhere in this magazine. In the lower-middle section is the by now commonplace
image of Anu / Enki in yellow - the so-called ' creator ' of mythologically genetically-modified man.
We will observe the red outline of a delta-winged craft hard by. How did I arrive at this
conclusion since this is a departure from the overall canine symbolisms ? Simple, look at the rock
relief features around the head of the pilot - can you see the eye and mouth features which I have not
artificially highlighted. Moreover, this type of craft is found throughout just about every other
submission thus far. A quite graphic image of such in flight will be seen in the London Richmond
Park ( Lower ) Level 3 image. One thing to point out is the lack of accurate straight lines which we
encounter in, for example, the Nasca Indian Plain earthworks. I'm sure its attributable to working
with rock as a medium - and of course to do otherwise would completely give this covert visual game
away before it had even started ! Is this a paradigm for humanity, therefore ? I digress.
The magnified processed image, now. Observe how the Adamic head repeats the foetus /
plankton-type image seen earlier. A large head and eye with tail. Crucial to the internal physiology
is the use of the simian-looking warriors whom, we have seen, are ostensibly the overt reason for the
relief. The outlines form the direction of the spine in proportion to that seen in the overall physiology
of the Egyptian Pottery Shard submission earlier.
Let us examine the other allied images. Can you see the outline of a very large dog resting ? It is
derived from the head of the turquoise canine entity with the use of the lower foetus shape for the
body and paws. Other smaller sub-images form smaller copies. Looking to the right is a crocodile
head subsumed within the main canine one - why is anyone's guess. The yellow vertical outline of
Anu now transforms into the delta shape of a jet craft, faced by a winged draco outline seen profiled
in the Nasca Indian ( Arrival ) evaluation and looking in from the left to the tableau centre.
In conclusion, an interesting set of mythological images repeated all around the ancient world and
which, if they are ever proven to have existed, will require a complete overhaul of our recorded
history and culture. The ' Biggest Secret ', yet to be told perhaps.
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